ZOMBIE MERMAIDS (Performance)
Review of the performance day on 20.7.24 in Safien Platz:
Magali Dougoud, Laure Boer and Myriam Jarmache performed ZOMBIE MERMAIDS, A SONG FOR FUTURE WATERS by MAGALI DOUGOUD.
Duration 35 min. Followed by an artist talk with the curator Josiane Imhasly
> Work description
THE SECOND BODY
Review of the performance day on 20.7.24 in Safien Platz:
Leah Marojevic performig THE SECOND BODY by OLA MACIEJEWSKA.
Duration 60 min. Followed by an artist talk with the curator Joanna Lesnierowska.
A video documentation will soon be available online.
> Work description:
đź“· by: Johannes Hedinger (1, 2, 3, 6), Ola Maciejewska Studio (4), Thomas Rickenmann (5)
Performance Day July 20
Join us for another performance day at Art Safiental Biennale 2024
July 20 – at KWZ Kraftwerke Zervreila AG in Safien Platz
2.15 pm
Leah Marojevic will perform THE SECOND BODY by OLA MACIEJEWSKA
Duration 60 min. Followed by an artist talk with curator Joanna Lesnierowska
4.15 pm
MAGALI DOUGOUD, Laure Boer and Myriam Jarmache will perform ZOMBIE MERMAIDS, A SONG FOR FUTURE WATERS
Duration 35 min. Followed by an artist talk with curator Josiane Imhasly
Biennale officially open
Opening Performances
July 5
Huhtamaki Web will perform NOMADIC FREQUENCIES from sundown to sunrise in the barn of Kunstgarage Versam.
7.30pm exhibition + drinks, 8.30pm Start Performance
You can bring your sleeping bag and listen all night long!
July 6
QUARTO will perform MOVING LANDSCAPES below Tenner ChrĂĽz in Tenna.
Meeting Point: 6pm at Berghotel Alpenblick, Tenna. 90 minutes hiking on foot. Duration of the Performance: 45 min. Return approx. 9.30 pm in Tenna
July 7
ERNESTO NETO will perform FROM EARTH TO EARTH in Tenna.
Meeting Point: 11am at Berghotel Alpenblick Tenna. 25 minutes procession on foot. Duration of the Performance: 60 min.
Return approx. 1pm at Berghotel Alpenblick Tenna
Exhibition Guide
Available from July 5 in all restaurants, village stores and tourism points in the valley as well here for download.
Opening Art Safiental
From July 5-7, you can look forward to a great opening program with performances and artist meetings. >Detailed program. See you soon in Safiental!
(Bild: QUARTO, Moving Landscapes, foto: Claudio von Planta)
Teaser Art Safiental
Born digital (video art)
If you happen to be in Zurich this Thursday June 6, please join us for the opening at Kunsthaus ZĂĽrich.
BORN DIGITAL – Video art in the new millennium
June 7 – Sep 29, 2024; Opening June 6 (5-9pm)
Introduction 7pm by Ann Demeester (Director) and Éléonore Bernard & Luca Rey (Curators)
With works by: Christoph Büchel / Com&Com (Hedinger/Gossolt) / Cao Fei / Gabriela Gerber/Lukas Bardill / Zilla Leutenegger / Tatjana Marušić / Rita McBride / Yves Netzhammer / Pipilotti Rist / Diana Thater / Susann Walder
They show the early videowork by Com&Com: „I love Switzerland“ (2002), the second part of our Swiss Trilogy (2000-2002). It was first shown at the EXPO.02 in Harald Szeemann’s exhibition „Geld und Wert – das letzte Tabu“. The Video was co-produced with Theater Luzern and Twin Productions and it is in the Kunsthaus ZĂĽrich’s a media art collection since 2002.
More about the exhibition / More about Com&Com’s early videos
Curatorial Statement
Curatorial Statement to the Biennale 24:Â
What if? Songs from Tomorrowlands
In the summer of 2024, the voices of thirteen artists will be heard in the Alpine valley of Safiental, located in the Canton of Grisons, Switzerland. Akin to mountaineers calling to each other from mountain tops, the tales of different futures and speculative scenarios will bounce off the peaks and reverberate within the valley, amplifying the visions of these imagined tomorrows. What songs will we hear? And which ones would we like to sing along with?
The Safiental valley was shaped by the Rabiusa River, whose name translates as “raging”, and is now tamed by hydropower. The land, largely cultivated wherever the hillsides are not too steep, is dotted with dispersed settlements. To the north, the valley is bordered by the famous Rhine Gorge, a colossal wound ripped open ten thousand years ago by a landslide. In this landscape, the catastrophic is as palpable as the cultivated. The romantic and the technological meet in unexpected infrastructures.
In the site-specific exhibition What if? Songs from Tomorrowlands, artists react to this territory, looking at the Safiental valley and the Alps as a crucible for human and natural activity. The temporality of the landscape is expanded and connected with other places and times through the resonance of local and global voices, memories, and myths. In this context, “What if?” is more than just a rhetorical question, and songs are not only understood as melodies. They are tools that encourage us to go beyond the familiar and connect to ourselves, all kinds of other living beings, and the environment through new affiliations and identities, shaped by the exchange and transformation of alternative knowledge and stories. “What if” is thus understood as world-making, inviting us to seek collective healing and harmony, driven by the idea that hope is a muscle (Björk) that must constantly be exercised.
What if? Songs from Tomorrowlands refers to a relational point of view: one that listens to the whispers and collective chants from possible futures in a time of multiple choices, crises, opportunities, and catastrophes. Together, we set out to reflect on and act upon the present through the lens of the times to come – by asking ourselves in the future perfect tense (Harald Welzer): What will we have done, and what will we have left undone? How do we want to be remembered, and how can we become “a good ancestor” (Roman Krznaric)?
The thirteen voices spread across the valley, ricocheting across the meadows, forests, and rocky outcrops, reverberating questions, hopes and fears. This songbook of utopian and dystopian spells is nourished by dreams, imagination, and the speculative worlds of science fiction. In Safiental, the changing mountainous environment encourages us to question our sense of collective belonging and the way we relate to the world around us. Echoing the chorus of this increasingly sticky melody, it prompts us to practice the “What if?”.
Curators:
Anne-Laure Franchette, Josiane Imhasly, Johannes M. Hedinger, Joanna Lesnierowska